The novel Farewell, My Lovely Essay Example | Topics and Well Written Essays - 750 words

The novel Farewell, My Lovely - Essay Example From the very beginning, the main character, Philip Marlowe does to Los Angeles. His journey leads him from the bottom to the top class of Los Angeles society, whose problems he denounces in sharp tones. Marlowe visits the home of a Southern California "psychic consultant" and a private house that is really a hideout for criminals. Marlowe disrespects himself as he is forced to do offensive things in the line of duty. One day, he has to make dead drunk an alcoholic widow to know more information from her, and at another case "he had picked a poor man's pocket," when he is discovered by a Mr. Grayle just as he is about to kiss the elderly gentleman's wife. He takes care of Marriott and tries to protect her from the outside world. One day, he investigates that Velma and Mrs. Grayle is the same person. Marlowe investigates that this woman killed Marriott. At the end of the story, she kills Malloy and commits suicide to avoid punishment. Chandler creates a strong and sympathetic character of Marlowe able to protect himself and fund truth. A detective element is particularly effective in the way that it resonates with the text's overall treatment of issues. The society recognizes that individual preferences can vary widely, and all behavior is openly tolerated as long as it is consensual for all participants. Plurality is again the keynote. If the dramatic context of the crime -cycle provided the essential clue for the interpretation of evil and suffering, the solidity and permanence of that context was responsible for the unshakeable conventions which governed the expression of suffering and evil. "I stood there and thought that if I lived in the house, I would sooner or later have to climb up there and help him. He didn't seem to be really trying" (Chandler 87). Chandler's vision of social problems is a place of diversity and change and is specifically presented as a preferable alternative to the consolation of pro blems. The specific tone of this selfconsciousness, along with the book's indeterminate message, also identifies The strain of lyric lament, however, is not a characteristic of the speeches given to evil figures, whose mode of suffering is wrathful or desperate, but it does characterize the innocent sufferers. The character of Marlowe can be seen as a moral center of the novel. Within its transparently didactic framework, the personifications of vices and virtues contend for the allegiance of the central figure or figures that represent man. The characteristic plot is a contest, and its characteristic movement is from the seduction of mankind by vice to the salvation of mankind by virtue and repentance. The fundamental issue of morality is thus always the same, and it is by definition a highly serious one; the fundamental evil involved, sin in one or another of its particular forms, is also always the same, and just as serious. But the dramaturgical expression of the issue and the evil, drawing from the heritage of the crime novel, combined both moral gravity and comic effect; the comedy of evil persisted along with the allegory of evil; like the allegory, it found its support and basis in the doctrinal and homiletic formulation which was responsible for the morality tradition The crime scene of the story is a complex one which consists of several sub-scenes. The first sub-scene reveals true identity of Velma and Mrs. Grayle, the second one depicts that she kills